‘The Substance’ Review: Demi Moore and Margaret Qualley Go for Broke in a Daringly Disgusting Satire Concerning the Absurdity of Modern Beauty Standards
Coralie Fargeat's Cannes-winning sophomore feature pulls out all the stops to serve up an absolutely unforgettable work of body horror that will make you squirm and scream despite its, at times, frustrating ideas.
‘Eureka’ Review: Lisandro Alonso's Dreamy, Chimeric Survey of Indigeneity in the Americas
The latest work from one of Argentina's most fascinating filmmakers, Eureka subverts the conventions of narrative cinema to explore Indigeneity in a post-colonial world through an elliptical lens that challenges our limits of space and time.